Also, Plath sees God and Lucifer as her enemy, ¨Herr God,/Herr Lucifer/Beware Beware¨(¨Lazarus¨ 79-81). On the other hand, Lazarus was happy he was in heaven and had a better life, but for Plath, she was unamused and didn’t want to be alive anymore but to be left in peace. This relates to Lazarus because when they were both reborn, they were shocked that they were given a new chance. The quote shows how Plath saw herself as not being able to die since she tells the reader that the only reason she lives is because of her skin. In addition the when Plath wrote the line, ¨A sort of walking miracle, my skin¨(¨Lazarus¨ 4). This is the same thing that happened to Jesus’ friend Lazarus when he was reincarnated, he removed the trace of death and his old life from his new body(Reiff 103). When she talks about rebirth and how she came back to life she wrote, ¨Them unwrap me hand and foot-¨(¨Lazarus¨ 28). The reader can infer this by just looking at the title and how Lazarus was resurrected by Jesus in the Bible. To add on, symbolism is shown throughout the poem. The similes that were used to compare things that were not welcoming, but painful and how her life was not going in the direction she wanted it to go. By adding that last simile to the end of her poem gives the reader a call for help and someone who is an unwilling helper(Reiff 103). Lastly, the very last line of the poem Plath tells the reader how other people will feel the pain she goes through as Lazarus, ¨And I eat men like air ̈(¨Lazarus¨ 84). This line describes Plath doing actions that make her feel as if her life is no longer valuable and that she will soon be the shadow of death. The reasoning behind her actions is so she no longer feels warmth, but pain that comes in hand with death and she desires to feel it, ̈I do it so it feels like hell ̈(¨Lazarus¨ 46). The desire she has to end her life pushes her to inflict pain upon herself in any possible way she can. This line projects that no matter how many times she tries to end her life she always comes back, losing a piece of herself and feeling no emotion every time she returns(Bloom 82). In fact, she uses a simile in the seventh stanza comparing herself to a cat, ̈And like the cat I have nine times to die ̈(¨Lazaruss¨ 21). She sees herself as someone who is ready to die, but not given the chance to do so. Throughout ̈Lady Lazarus ̈, Sylvia Plath uses similes to convey the feelings of not being able to be set free. "Figurative Language In Lady Lazarus" Get custom paper He is the author of, among others, The Secret Library: A Book-Lovers’ Journey Through Curiosities of History and The Great War, The Waste Land and the Modernist Long Poem.Do not use plagiarized sources. The author of this article, Dr Oliver Tearle, is a literary critic and lecturer in English at Loughborough University. and Mina Loy, who often used mythical personae to write about their own lives. But it’s important not to overlook Plath’s affinities with earlier female poets, especially modernists like H. Plath attended a creative writing class led by the poet who helped to initiate the Confessional movement, Robert Lowell, in the late 1950s. Plath is often grouped with the ‘Confessional poets’ – a group of (mostly American) mid-twentieth-century poets whose work engages with the darker aspects of their own lives, with the focus frequently on the poet’s own struggles with mental health issues. But this is partly because so much of her work drew on her life for its subject-matter, especially her unflinching analysis of her own struggles with her mental health. The life – and death – of Sylvia Plath (1932-63) can sometimes appear to eclipse her poetic achievement, as well as her achievement in fiction (she wrote one novel, The Bell Jar, as well as a collection of short stories).
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